Video taken by CUNY
https://youtu.be/a27JOkmPigA
Monday, April 5, 2021
Rewoven: Innovative Fiber Art - Filmed by Victor Peña
Video taken by CUNY
https://youtu.be/a27JOkmPigA
Saturday, March 27, 2021
Reinhard Blank
The Substance of Balance in Implicit Strength
by Luchia Meihua Lee
(image above: artist at the studio,
painting on the wall: Basic Form , 2004,
Pigment and Japanese ink on canvas, 79 x 79 inches )
 |
| Connection of sky and earth, an invited design; 2014; Cement, granite, water ; 177.2 x 70.9 x 13.8 inches; photo credit Florian Holzherr. |
In the Middle Ages, belief in God coincided with enthusiasm
for all human knowledge. And for the Bavarian artist Reinhard Blank,
interestingly, loyal faith does not ever mean the rejection of new ideas. The
channeling of creative energies into religious art and architecture requires
discipline and economy of expression, and thus is an eminently suitable outlet
for Blank's art. There a harmony between science and religion - "to
imagine [them] as two separate, inevitably antagonistic opponents, ... is far
too simplistic." [2] Blank, a son-in-law of Taiwan, has been inspired both by Asian and Germany philosophy. For example, he located his Spiritual Garden on a hill behind his studio. This piece is a set of four walk-in wooden sculptures connected by a metal walkway, and there we find that he has combined natural strength and spiritual softness; Spiritual Garden is rational, minimal and conceptual. The small cabins can function as personal studios of meditation, as cozy tea houses, or merely as a set of sculptures. Blank spent time studying with a Japanese tea master to learn a sophisticated tea ceremony, and drinking tea has become part of his daily living style. In his minimalism, instead of splashing his emotions about, the artist is revealed by his recurrent use of materials that can be returned to nature: earth pigment on unprimed canvas, water, and steel. This is not surprising in the son of a farmer with academic art training. Blank always wears a humble smile, whether because or despite his pursuit of complex philosophical ideas.
From Blank's statement, we learn his work not only aspires to a type of "reductive art" or minimal aesthetic but also an exposure of means. 'You see not only "what you see" ... but how [it] got there, in the normally regular but nuanced not (melo)dramatically but subtly expressive, wake of the brush.' [3] Blank expresses purity in his works and has a precise grasp of the subtleties of three-dimensional shape. This is apparent in his flat paintings. Minimalists choose to let the art object present its own characteristics.
In Blank's paintings, sculpture and outdoor design, we find the perpetual intrusion and extrusion of shapes, frequently by means of an inward missing part balanced by an outward addition. This produces an atmosphere of harmony and calm, while exhibiting a clean form that is structured and balanced with regard to cultural and social catalysts. In Taoist terms, the opposing forces of Yin and Yang juxtapose negative and positive in a rhythmic and musical inspiration. We find consistently demonstrated two versions of a familiar or understandable formula accompanied by an idea that embodies both medieval mystical existence and modern minimal self-sufficiency. While possibly not acknowledged by those viewers preoccupied with ornamental culture, Blank's work is in a way unparalleled in scale intellectually, ideologically, or even politically. It leads to a sense of hidden forces bringing to life another art ideology.
 |
| Sky Mirror, 2007, Steel, granite, water, 138 x 81 x 18 inches. Private collection |
Blank's art, as is most apparent in his church features design, turns out to be an expression of mathematical statement. It is as remarkably tuned and transformed as the work of scholars and monks of the middle ages who discovered the mathematical nature of the universe which they proclaimed as yet another testament to the glory of God. Blank is highly trained in the ideas of the Bauhaus School in Design and Art in Germany , in industrial design, simple abstract design; as a machinist; and as a researcher and devotee of philosophy. At the same time, he needs to immerse himself in natural environments such as his beloved Allgäu region of Bavaria. So in lieu of standing solely in a spiritual context, Blank bases his work on his technical arts training, his internationally recognized professional qualifications. and his use of universal and fundamental methods in a purpose-designed space. Blank's works investigate natural mystical and futuristic imagination, thus encompassing the lines and structure of intriguing expectation.
From Blank's statement, we learn his work not only aspires to a type of "reductive art" or minimal aesthetic but also an exposure of means. 'You see not only "what you see" ... but how [it] got there, in the normally regular but nuanced not (melo)dramatically but subtly expressive, wake of the brush.' [3] Blank expresses purity in his works and has a precise grasp of the subtleties of three-dimensional shape. This is apparent in his flat paintings. Minimalists choose to let the art object present its own characteristics.
The essential composition shows the geometry of Blank's work and is more like Bauhaus's ingenious design and follows his literacy of the void, where solidity and emptiness are interlaced and complementary. In his sculpture, Blank uses steel and water to represent contrasting states constrained in time and space with mathematical rigor. "Natural philosophy" refers to the drive to draw moral and spiritual wisdom from God's creation. This natural philosophy embraces the over-arching languages of mathematics and theology and bends human invention to decipher appearance and the invisible. It has no restriction and harmonizes thought of such diverse thinkers as Aristotle, Thomas Aquinas, Erasmus, Isidore of Seville, and later Isaac Newton.
One of Blank's landscape sculptures, Sky Mirror, was commissioned for a garden and combines small ponds , water and steel into sculpture. Thus natural landscapes are contained in and complemented by soothing minimalism. The structure, is in perfect harmony with the garden, dialoguing with its numerous rare flowers and plants. Another imaginative use of reflection may be found in one of his church door designs where glass in a small cross reflects the grassy area in front of the church. Elegant and carefully calculated composition in steel and flowing water can be found in many of his sculpture pieces. In Sky Mirror, the variation in the flow of water, and consequently in the configuration of the water surface, induces a corresponding change in the reflection of the sky and the ambient light, which is particularly mesmerizing. The work catches and re-radiates the changing mood in the nature environment and the passage of the seasons, and even in its stillness is dynamic.
 |
| [3 images above: Invited design of the Dr. med. Weidlich medical hospital, include the outdoor entrance, and interior wall pieces.] |
W. J. T. Mitchell [5] delves into the relation between word
and image. While the former is the traditional domain of art history, if “art
history aims to become a critical discipline, one that reflects on its own
premises and practices,” then it must draw inspiration from and utilize the
tools of semiotics, structural linguistics, grammatology, discourse analysis,
rhetoric – and yes, even philosophy. Blank’s unique blend of minimalism,
design, mathematics, and philosophies both Eastern and Western, is an example
par excellence of art that demands to be analyzed in Mitchell’s terms – to be
appreciated on a purely visual level, but then more fully contextualized.
[1] Seb Falk, The Light Age: the Surprising Story of Medieval Science, WW. Norton & Company, 2020, p.4.
[2] ibid., p 5.
[3] Edward Strickland, 'Paint", Minimalism: Origins , Indiana University Press, 1993. p. 110.
[4] Gregory Battcock, Minimal Art: A Critical Anthology , University of California Press, 1995. p.181-185, p. 260-262
[5] Critical Terms in Art History , Nelson and Shiff, eds. University of Chicago Press, 1996, P 48.
David Elliot, Making Sense of Things, ed. Carin Kuoni, Words of Wisdom, Independent Curators International (ICI), NY. 2001.
Artist Statement
What I am looking for is the simplest forms to comprehend the world. I dedicated most of my time and energy to philosophy. Inspired by artist Piet Mondrian, art historian Hans Joachim Albrecht, and influenced by ‘Structures and Dynamics of Theories’ of Wolfgang Stegmüller, I transformed my artwork toward rational and conceptual expression by means of geometric structures. Lacking ornamentation, radically simplified geometric forms are grounded in Earth symbolism and demonstrate my concerns with the world, the body, the mind, and the spirit. I use a rational structure design result correlating width, length, area, volume, proportion, space, the mass, weight, and Fibonacci sequence to promote an aesthetic view and effect, and also respond to visual interpretation with implicit and metaphorical statements in a systematic style. My artwork is a product of a specific focus on the world that we live in and serves as a mirror for ourselves. At the beginning, we are embedded in a predetermined but unforeseeable background; however, continued and inevitable interactions reformat and re-shape us. In my artwork, I try to develop a harmonious, meditative character that promotes contemplation of both the rationality of the human intellect and its limitations. This reveals my innermost concern with consciousness – a seemingly comprehensible, mechanical structure, modified by a transcendence beyond the limits of rationality and hence unknowable.
Other Internet Profiles:
- Artist Reinhard Blank web page https://reinhard-blank.de/
- The Substance of Balance in Implicit Strength https://conta.cc/3lSYcZk (of Constant Contact e-blast page)
- Reinhard Blank 的後花園小屋雕塑- 揭秘這一位德國巴伐利亞的小鎮藝術家
https://ll-greenyes.blogspot.com/2019/01/reinhards-spiritual-garden-bad.html
- Art as Implicit Substance 存在中的真實
https://ll-greenyes.blogspot.com/2019/08/reinhard-blank-art-as-implicit-substance.html
- Reinhard Blank: Venice 2019 exhibition preview video link:
https://youtu.be/CumOffw0M28
- Reinhard Blank “AusZeit - Art as Clarification, Stadtmuseum Memmingen ( to view Reinhard Blank “AusZeit - Art as Clarification at The Memmingen City Museum)
https://zeitmaschine-stadtmuseum-mm.de/de/ausstellungen/sonderausstellungen
- 德國巴伐利亞地區梅明根市-田園詩般的工業小城 Memmingen, Germany
https://ll-greenyes.blogspot.com/2013/09/memmingen-germany.html
More Reinhard Blank art work images to view:
 |
| Entrance to Church of Saint Martin in Memmingen, Germany, 2017. Glass and steel, 134 x 102 inches, photo credit Andreas Marx |
 | ||
| Shadow of the Mind; 2007, Steel, Japanese paper, glass, 20.5 x 16.5 x 5 inches/each |
 | |||||
| Introspection, 2015, Pigment on canvas, 21.5 x 21.5 inches. |
 | Twelve Apostles; Steel, copper, and glass; invited design of the main door of church Kinderlehrkirche, 2011 built in Memmingen, Germany | |
 |
| Interaction - Minimalsystem der Selbstreferenz III; 2004, Steel, 64 x 64 x 45.7 inches. The crumbling surface of the metal can be seen via time lapse photography. |
 | |||
| Sky Mirror, 2007, Steel, granite, water; 138 x 81 x 18 inches. | Private collection. | |
 | ||
Śūnyatā" Fountain; an invited design for the garden of a yoga practitioner , 2010, Cement, 39.4 x 47.2 (diameter) inches. Śūnyatā (Sanskrit) is a Buddhist concept often construed as emptiness and sometimes voidness. |
About the artist:
Reinhard Blank , Born in Memmingen, Germany.MFA (master class diploma), The Academy of Fine Arts, Munich , Germany
Selected Awards / Honors
- Arts Prize of City Memmingen (Kulturpreis der Stadt Memmingen), Germany.
- Special Artist Prize (‘Künstlersonderpreis’), Künstlerhaus, Marktoberdorf, Germany.
- Artwork - Raum Skulpturen ‘Garten der vier Eletmente‘ selected in publication, as one of the model and architectural inspiration in the Allgau region during 2013-2018 by Architektforum e.V. , a selection once in five years, reviewed by an international panel of professional architects.
Selected Solo Exhibitions
- Visual Structure Theory -Tractatus of Ludwig Wittgensteins, associated with a lecture ‘how to reconstruct Wolfgang Stegmüller’s Interpretation of Tractatus, a theoretical model of Ludwig Wittgenstein’s in a visual form’, University Ulm, Germany.
- ‘Aesthetics of Void’, Kreuzherrnsaal, Memmingen, Germany.
- ‘Poesie der Unterscheidung’, Schloss Hohlenheim, Stuttgart, Germany.
Selected Group Exhibitions
- "experiment konkret - Eugen Komringer zum 80.", Museum für Konkrete Kunst, Ingolstadt, Germany.
- “Sammlerkonzepte“, Kunstspeicher Museum, Würzburg, Germany.
- Anniversary Exhibition, Künstlerhaus, Marktoberdorf, Germany.Selected Public Art/Design
- ‘Interpretation from Trinity with “Minimalsystemen der Selbstreferenz”’ Ceiling Design –(size 99 m²)., Trinity Church (Dreifaltigkeitskirche), Ravensburg, Germany .
- Corridor and Worship Room Design for Arche Slowenien, Medvode Slowenien.
- Invited design of the entrance and souvenir area of St. Martin's church, Memmingen, Germany.
Selected Collections
- Municipal cultural department, Memmingen, Germany.
- Municipal cultural department, Kempten, Germany.
- DG-Bank, Hohenkammer, Germany.
- Selected Publications
- Minimalsystem der Selbstreferenz. Malerei im interkulturellen Dialog, Gallery Akzente 2001, Memmingen, Germany.
- essay – Teezeremonie und Spiritueller Raum - Überlegungen zu Wahrnehmungsformen von Transzendenz, published in Journal ‚Spiritual Care‘ volume 8(1) 2019, p. 67-75, DE GRUYTER, Germany.
- essay – Ent-täuschung – Spiritualität in book “ Spirituelle Erfahrung in philosophischer Perspektive”, p. 161-167, Walter de Gruyter Berlin, Germany.
Teaching
- 1991 - 1998 P rincipal of School 'Schule für Gestaltung', Teaching ‘philosophy of fine art,’ Ravensburg, Germany.
Contact artist:
Reinhard Blank
Thalatelier Reinhard Blank, Unterthal 33a, 88730 Bad Grönenbach -Thal Germany
email: info@reinhard-blank.de
Saturday, March 20, 2021
時代不可承受之重
時代不可承受之重
綠可
在這所謂武漢病毒肆虐隔離的時代之後，我們不可避免地即將必須再次走入社會，再次面對及擁抱人群，但是我們如何放下心情去面對真實的人？到底這期間我們真正失去的是什麽？錯過的是什麽？我們可以假裝說必須回復正常生活及期待再相聚，但是確實的困難是在突破障礙來擁抱他人，因爲不放心自己及他人； 到底要如何去剋服環境的浩劫之後，這超過一年的斷裂如何去回復原有的生活，在災難之後的社會重振或是僅僅是組織的重整；這些後果似乎超過如何去承擔的想象。爲了要模擬再見到親友們的不確定欣喜，是否可試圖任意的放下心中的不安及芥蒂，或說隨便放鬆或類似瘋狂的做些什麽去調節某種迷失。
確實的，在這等待期間有許多心中的苦，對於存在意義上的無常存疑， 夜裏擔心醒來後的環境已改變，看不到的真實世界，多的是虛擬世界的新聞及人影，還在的是那在街頭四處游蕩的人仍然裹著棉被縮在襤褸的各個街角。許多離開這世界的人，似乎也是虛假的數字，如果你的親友因故而離世，你不用去也不許去探究病因，也不需辦理儀式，日子也愈來愈單純，原來我們是一直怕面對複雜的世界。其實在這期間遠離人們從驚嚇到這樣假裝的自己，反而找尋到精彩的音樂和發現自家前後院的美好風景， 不再讓自己在群衆中失去或是孤單，也這麽享受單純的生活，在短期與生活夥伴期待地老天荒，才發現自在與隨便更容易讓自己舒服，生活原來爲我們唱著新世界的新歌。
從開始的不習慣中發現原來“心”是愛四處游蕩的，它牽引著個人身軀， 假如心裏的“希望”還存在，經常出現的問題是-什麽才是“首要”？什麽還放不下？什麽可以掌握？也許需求別人的不離開是因爲不懂的去把握還存在的時刻， 如果當下是崇高的追求，更多人需要的的是精神時空的審視。我們流入期待而恐慌離去及尚未到來的時間及事物，我們生活世界的改變及樣貌，對於生活慾望具象化，所謂未來的理想是從設定目標逐步具體繪製，形成某些可能僅僅的是藍圖。事實上，它默默默的的融合了我們所經歷的生活經驗成爲歷史及内化的一部分。所有的一切距離並不遙遠。
在這期間，數位世界快速的連接了沒見過面的上千百萬人在不可見的網路世界中。有一個詞“黑色的文藝復興”在空中的世界悄然間映現，這 “黑色的文藝復興”（Black Renaissance)，事實上在我們不瞭解的情況之下，已經悄悄地奪回很多的權力及擁有，這包裹了那些街頭運動及教材的加入，期間包含了暴力及掠奪，搶劫，燒殺，但是他們或是很多人知道'革命'一詞免不了的是犧牲及流血。反抗“白人至上”、 “種族歧視”、要求“性別平權”已經成爲流行的政治正確用語；如何去延續原有的價值，這個社會現象提供了時間的緊迫性；這也許不能僅僅去討論激進或傳統，自由或保守或是黑白顔色的二分法。再檢視我們各方面的評斷能力，觀察在美國這個社會或是西方世界，少數的所謂種族的覺醒某部分也許是因由黑色或顔色革命，而思考到要如何去分到這一杯羹，亞洲人的被欺凌及殺害自歷史以來沒有少過，南美邊境的難民大篷車的湧入，原住民也再次省視對於歷史上可能牽涉到種族被滅絕，當然這期間長期主導西方金融世界的猶太體系也難免的要被要深入檢視。 問題牽涉及文化上的被同化，重新拾起祖先的語言上的學習及文化認同，這些種族的反思潮流强勢的游動著，這些少數民族的自療經由壓抑的憤怒及自身的自慚，其中的不同層度的反應。這似乎包含强力血緣關係，提醒我們自身與城市的關係；除此底層的隱然蠕動，在病毒肆虐期間，我們似乎也看到其中的得利者來自某些主要宗教，一些教條主義也强力的主導著對歷史的挖掘，及另一層次精神認識，這種種狀態在人性上及許多社會的價值層面進行某程度檢視。
社會朝向未來世界正經歷的各種物質性和精神性的變化，不談人類文明的事實上已經歷經超時空的數個世代， 經濟及金融體制跟隨國家及城市組成即將改變，這期間另一個大危機跟隨著科技的演進，所謂各自文明發展或是文化區域與未來世界之間的關係不是地理或地緣關係。同時，針對星球組織地理結構已經不僅地球一詞，或是文化位置的特殊性也重新組構，時代的地緣政治與帝國權力。“全球化時代”已經成爲被唾棄的用語，而也被歸類為社會主義野心者的訴求，然而市場經濟與科技發展經濟和政治變遷，當今變成主軸關係和主導對話的主控元素，也更深地自歷史發展的角度重新審視各種經濟活動、技術發展語境下的文明史、權力配置和意識型態的構成。
自古以來，政治與企業經濟之間倫理關係都是一個曖昧及具爭議性的社會性議題。這兩年政治出現權力無邊擴張，政府有藉由某些所謂病毒疫情而强加，或是有種潛在性的向人民延伸其壓制意向性。當個人或是集體意識感受到不同形式的入侵，種族及宗教或是合作及贊助，急速上升的依靠。每一個人或是社區，集體性的社會能量。這一個後殖民的時機，藝術家的介入參與，醒悟及行動，也許去翻轉及去爭取我們的存活力的極可能性加大。 企業家與政治的勾結勢力不可避免的將社會導向地獄般的環境，這些邪惡的僞善竟然鮮明地呈現在我們眼中，也嚴重的影響人們每日的思考及生活；當一個企業成功地經營成爲商業帝國后，他們開始對於政治開始有訴求，或多或少出現一種干政傾向，財富成爲影響國家領袖，政治人物，公共知識分子，學校講師，及影響年輕人，這些企業巨頭儼然成爲明星及各領域專家，品評及參與政治制度及各項公共事務，甚至一面做官一面做生意。以往這些商人政客也會有虛偽的表現高尚，不致赤裸裸的圖利自我或是聲色犬馬；怕自己會顯得不夠有深度及沒道德，有時也會附庸風雅一下，而實際的國際洗錢確實是經由跟某些慈善某些藝術或是學術直接鏈接。然而，現在，他們已經不知羞恥的直接告訴你：我就要，你奈我何！
在美國的一個重要運動-非有關這連年的選舉，而是“我們人民”的運動，這些有覺醒的愛國及社區人士在思考要如何進行核心實踐，是要喚醒“人民”的關心自己的國家政治動向，去監督每天發生在自己社區的腐敗情況，也要去除對稱病毒造成對人的恐懼，去除對於真相的無知，去研究看到感受到的某些不正常，在許多人對於自身及對大環境的無力感，藉由這個虛擬世界許多被製造出來的假象，去反思可能的改變，他們或稱之爲某類的大覺醒，意即包含在精神層次的提升及覺知；也經由這樣一個所謂資訊共享在平台傳遞過度這個理想及觀念上的差異。
在面對這一個浩劫后的斷裂社會，在這個黑暗時代之後，我們要或説已開始在承接一個嚴厲的回復及自我覺醒運動，這種心的調整是選擇前進還是停留，或是被黑暗力量消滅。
我們有勇氣麽？還來得及麽？還有機會嗎？
我的理解：最好的時代還沒到來！
Thursday, February 18, 2021
最後站立的旗幟 Last Flag Standing
最後站立的旗幟 Last Flag Standing
中文翻譯：LL-GREENYES
Owl#33
這個星球的英雄，擁有恢復真實，榮譽和尊嚴的鑰匙。
儘管世人撓頭爲著現狀無所適從，且無能為力去找出解決方案，為什麼會如此？ 這個世界受到腐敗勢力的打擊動盪不安，並繼續的崩潰之中；但仍然有些有權勢的人知情並留在沼澤内，並選擇繼續進行在最近的歷史上最大的騙局。但在這幾十年來，一個負有秘密使命的人獨自一人與邪惡進行鬥爭。
聽起來有點像超級英雄的故事？好吧！那就是了。
羅素：古爾德（Russell-Jay: Gould）在他最新的紀錄片《最後站立的旗幟》（Last Flag Standing）中的第一部，他將2000年美國佛羅里達州切德騙局（Florida Chads Scam）的解封舉動帶到了世界，這標誌著美國的終結，權利法案和我們所知道的美國憲法的終結。 1999年是第三次也是最後一次美國宣告破產，結果是美國再次成為另一家破產的公司，失去了其擁有資產的權利，但是卻也未能恢復其合法擁有其國家的地位。與其選擇去清理這破產公司，他們認爲讓騙局繼續存在是一個聰明的主意，讓美國仍然存在，尤其是因為他們從未想到過這件事會發生。
而此時，：羅素·傑:古爾德，卻通過獲得美國國旗的版權來找出合法佔領美國的秘密，就是根據郵遞區號，國家旗幟力學和國際法 - “它們”這種方式已經運行了數百年，但在那時已經過期，美國人被錯誤地帶入了欺騙性的道路，現在這種方式比以往任何時候都更快地成為對人類的全球威脅。
在這部紀錄片中：羅素·傑:古爾德成為了地球上最後一枚完好無損的美國旗幟的擁有者，從而改變了他過去的一些表演，以改變地球的結構，並向人們介紹如何完成工作，可以做什麼，以及如何從《假想世界》中拯救地球。
在影片中我們可以瞭解到：羅素·傑：古爾德在奪取標題四旗幟（Title 4 Flag）和保護地球的使命中做了很多事情。除了預測2000年美國大選的選舉欺詐外，他還擔任該司令兼總領導，並在聯合國郵政管理局，國際刑警組織和瑞士萬國郵政聯盟註冊美國為獨立國家，並為其憲章和取消了他們在量子語法（Quantum-Grammar）資格下的合格性，以便能夠在地球上現在的太空中運行。他還與梵蒂岡簽訂合同，指揮地球上的所有軍隊並管理所有銀行，以通過他的量子銀行解決方案來恢復和平並保護地球。重要的是要注意，這些秘密中只有一小部分是在他的第一個紀錄片系列《戰堡》中揭示的，而現在，在這部電影《最後站立的旗幟》中卻揭示了更多的秘密。
許多人都在用盡力氣挫敗他的任務，例如聯邦調查局，還有其他對語法有了解的業餘愛好者，以錯誤的主張和不尊重其國旗版權的方式，試圖誤導和錯誤引導人們。另一方面，還有有法官，一些關鍵人物和所謂精英們，他們選擇跟從今天欺騙的領導制度，但是他們也同時在等待人群們呼叫領導人往前移動前進，然後他們才要做出改變。
一次漫不經心的孤獨旅程（還有許多神聖的使命），羅素·傑：古爾德維護了他的職位，並獲得了許多其他合法獲得的職位，例如，《世界郵政局長》，《美國最高法院首席法官》，《全球貨幣主計長》，《量子系統和量子銀行系統的唯一所有者和創建者》，所有這些一切都是從神話和字面意義上帶頭的，這些行為嚴重地破壞了腐敗的政府，全球公司，組織和個人參與者的違法行為，這一切都沒有完整性，都是為了奴役我們人民。
那些沒有知識的人問，為什麼羅素·傑：古爾德不做更多的事情？但是知道這些的人，了解他所做的事情，正在做的事情，以及知悉如何解決問題不僅取決於他個人，而是取決於人們是否應該喚醒並幫助他將他的量子（Quantum）系統的解決方案付諸實施。目前，我們看到大多數人寧願“接受”由無賴軍隊，假政府和他們為保護自己在法庭上及其他地方而建立的行政命令所運行的無規則社會的計劃。
《最後站立的旗幟》將我們星球上發生的欺詐和其他暴行的點點滴滴聯繫起來，並提出：羅素·傑：古爾德，作為我們的指導，擺脫了“虛構運動”的廢話，進入了真相，和通過他的量子結構矯正和解決方案來實現了榮譽與尊嚴。
更多參考影片連接：
https://lastflagstanding.com/
https://www.bitchute.com/video/E3DxKjFMuwda/
https://youtube.com/channel/UC2FPVSe66WpLdfoiQem4FzA
（原文：Russell-Jay: Gould.）
HERO OF THIS PLANET, WITH THE KEY TO RESTORE TRUTH, HONOR & DIGNITY.
While the world scratches its head with no solutions for why it, is as it is, and continues to crumble, getting pummeled by the corruption at every turn, and still yet other powerful people stay in the know but choose to continue the largest scam on the people in recent history, one man with a secret mission has been single-handedly combatting evil for decades.
Sounding a bit like a super-hero story? Well it is!
In his latest documentary film, Last Flag Standing, Russell-Jay: Gould, brings the first part of closure to the world about the 2000 Florida Chads Scam, which marked the end of the United States of America, the end of the Bill of Rights and Constitution as we know it. As a result of the 3rd & Final US Bankruptcy of 1999, the US became yet again just another bankrupt corporation that lost it’s rights to own assets, however failed to re-up their status to own it’s nation lawfully. Instead of come clean, someone thought it would be a clever idea to keep the scam going that America still existed, especially since they never expected : Russell-Jay: Gould. to figure out the secret to legally capturing America by gaining copyrights to it’s Flag. Based on the very postal codes, flag mechanics and international laws “They” had been running on for centuries but which had expired at that time, Americans were wrong-led into deceptive path for what is now faster than ever becoming a global threat to humanity.
In this docu-film: Russell-Jay: Gould gives closure on some of his past performances for changing the fabric of the planet by being the last in-tact Flag on the planet, and bringing closure to the people about what has been done, what can be done moving forward, and how to save the planet from THE FICTION-WORLD.
In the movie we learn: Russell-Jay: Gould did many things with his capture of the Title 4 Flag and his mission to safeguard the planet. Besides predicting election-fraud for the 2000 American elections, he captured the position as its commander & Chief, and also registered as an independent nation with the United Nations postal administration, Interpol and Universal Postal Union in Switzerland, as well as syntaxed their charters and disqualified them under Quantum-Grammar to be able to operate in the now-space on the planet. He also contracted with the Vatican to command all militaries on Earth and run all banks in order to restore peace and safeguard the planet via his Quantum-Banking-Solutions. It is important to note here only a fraction of these secrets have been revealed in his first docu-series, Warcastles, and now more are being revealed in this film, Last Flag Standing.
There have been efforts by many to thwart his mission, such as by the FBI. Other amateurs with knowledge of the Grammar, have tried to mis-direct and wrong-lead the people, with their false claims and dis-honoring the copyrights of his flag. On the other hand, there are judges, key players and elites that honor the Chief’s system to this day, but are also waiting for the people to call Chief forward before committing to the changes.
A thankless, lone journey (and many feel-Divine Mission): Russell-Jay: Gould, has upheld his position and many other lawfully obtained positions, such as, Postmaster-General of our World, Chief Judge of the US Supreme Court, Comptroller of the Global Currency, Sole-Owner & Creator of the Quantum System and Quantum Banking System, all that mystically and literally spearhead the grand un-doing of unlawful constructs of chaos and perpetrated by corrupt governments, global corporations, organizations and individual players- misaligned, that have no integrity, and are all for enslaving the people.
Last Flag Standing, connects the dots on the fraud
and other atrocities that have occurred on our planet and brings forward :
Russell-Jay: Gould, as our guide away from the nonsense of the “fiction
movement” and into TRUTH, CORRECTNESS, HONOR & DIGNITY via his Quantum
constructs and solutions.
Subscribe to:
Posts (Atom)