聆聽綠色的呼吸,感受綠色的心情,看見綠色的希望。我來自光,我是光的創造者;我是太陽、空氣、海洋、花香、河水...我們將更輕盈,更光亮!
Listen to the breath of green, feel the emotion of green, see the light of green. I came from light, I am the light traveler! I am the light creator. I am sunshine, air, ocean, flower, river...
Écoutez le souffle de vert, sentir l'émotion de vert, voir la lumière du vert. Je suis venu de la lumière, je suis le voyageur de la lumière ! Je suis le créateur de la lumière. Je suis le soleil, l'air, l'océan, fleur, rivière...
Monday, April 17, 2017
Rewoven New York 紐約再織
REWOVEN - New York
by Luchia Meihua Lee
“Our problems stem from
our acceptance of this filthy, rotten system.” ---Dorothy Day
The seven artists in Rewoven Part III at El Museo de Los Sures all live and work in New York City. These artists personally watch and experience the
direct impact of the political chaos emanating from the authority center; the
White House desk has been switched to a golf course. Curator Luchia Meihua Lee said
“artists regenerate a parameter of relationship between individual and society,
symbolically exposing endless exhausted whirlpools with revels into sarcastic
dialogue.” In Rewoven, powerful
questions adumbrate crisis; these views expand connectivity and reach globally.
In ChinChih Yang’s Mathematics
of Light, he reflects as curator Lee puts it, on “the current sickness of
society” by depicting a chaos of desire, confusion, pollution, and cupidity in the small video under a thicket of shiny metallic ribbons cut from discarded beverage
cans. Steven Balogh escaped from communist territory only to find
himself behind the barbed wire- topped walls of a concentration camp, and now resides
in New York. His piece Peacock in trap
reflecting on the political scene, is especially relevant today with a golf aficionado
in the White House. Money Windfall with
its green hurricanes perhaps refers to the obscene profits on Wall Street that
result from mindless paper chases.
The womb-like chair made by Catherine Lan is an exotic shelter from
the storm; covered with artificial fur, this chair is equipped with flashing
neon lights and with the recorded sounds of a baby. This fake shelter has been
placed in the front porch of the Museo de Los Sures gallery space, in contrast
with a background of old peering paint mural of two Los Sures heroes. Williamsburg,
like many artist areas, has been attractive to developers, and Los Sures has
been fighting the unwanted effects of gentrification there. Mingjer Kuo’s
Suburban Form from reviews the over
developed land transformed into beautiful shining plastic chips, and originates
with an aerial view of the repeating shape of suburban housing. A symbolic
mapping of urban public transportation is shown in Atlas by Poyen Wang, where he makes unnatural abstract landscape
from subway advertisements. Lulu Meng’s Model discusses the relationship of self to society. Her other wall
installation is an artist diary which directly illustrates life as an artist in
NYC, fighting for survival and to express her dream. Taking matters to a global
level, Hiroshi Jashiki powerfully suggests a melting iceberg indicative
of a dangerous water crisis facing NYC and the world.
New York artists for Rewoven- part III were selected by curator Luchia
Meihua Lee. Their works naturally formulate laws to redefine and reshape “fiber
art” ideas, practice, and content. With different contents at each of its three
venues.
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