Showing posts with label 藝術活動. Show all posts
Showing posts with label 藝術活動. Show all posts

Wednesday, July 3, 2024

NYC Art Bridge An emotional wellness of art

 

NYC Art Bridge

 An emotional wellness of art

                                                                                                                             by Luchia Meihua Lee

 

 "The value of a work of art … lies in its power to bestow happiness. The values of this power naturally stand in a causal relation to the psychic needs they satisfy.”

 --Wilhelm Worringer (1881-1965), “Abstraction and Empathy, A Contribution to the Psychology of Style

  Carle Chi, Prayer, 2014, oil on panel, 14 x16 inches

 Art historian W. Worringer argued that artistic creation should strive for the truth of organic life, characterized as a form of naturalism that reflects empathy. From this perspective, art establishes a connection with the external world, removing it from arbitrariness and randomness. By doing so, art purifies the flux of being and attains an appropriate absolute value. Moreover, if self-alienation is regarded as a profound driver, then art can be appreciated precisely because it is psychologically motivated. Art arises from and satisfies psychic needs, thus fulfilling an essential role in human experience.

NYC Art Bridge is an exciting and innovative initiative that aims to bring together different sectors of the community to exchange ideas around mental health and art. By creating a network that includes art professionals, mental health professionals, families, and individuals, the initiative provides a safe and culturally-informed space for discussion of experiences and feelings about mental health. The focus on collaboration, beauty, and harmony speaks to the potential for art to serve as a unifying force that brings together people of various backgrounds and experiences.

While the aesthetic sense of antiquity is inadequate to explain all of art history, a more modern and comprehensive view sees art creators as driven by an inner need and seeking self-activation through a process of empathy, allowing mankind to locate itself in relation to the cosmos. Empathetic art can take various forms and reveal itself as a natural vitalization or a psychic impulse. However, while the concept of empathy explains some parts of art well, it fails to value the full artistic panoply. To complement empathy, Worringer famously appealed to abstraction. The selection of artists presented in NYC Art Bridge promotes a discourse on the concepts of empathy and abstraction in an aesthetic system.

Through art creation and discussion, people can travel towards mental wellness as they explore and express their emotions and thoughts. Rather than merely attempting to capture the outer world, they strive to redeem the given object through the transformative power of art.

Having deliberate discussions with these artists can yield deeper insights into the inspiration behind their artworks, and how their personal experiences condition their artistic practices. These interviews can also help foster a sense of community among participants and promote open and honest conversations about mental health and wellness.

It may be argued that the highest beauty and artistic fulfillment can only be achieved when the artist expresses ideas that are in harmony with the appearance of the outer world. This may involve confronting our spiritual dread of time and space, which can be bewildering but can also lead to a deeper understanding of the world.

Medical science has recognized the potential of art in revealing mankind's creativity and promoting mental wellness, which can help individuals enter into a relationship of friendly confidence with the outer world and lead to a shift from the practical, material world towards a more abstract and peaceful expression. By exploring these themes and showcasing the work of diverse artists, the NYC Art Bridge program facilitates a meaningful dialogue about mental health and emotional wellness in our community.

The exhibit highlights the importance of artistic volition and how it has evolved to encompass a wide range of styles and media. It also emphasizes the impact of cultural experience and community on artistic expression and how it can inspire innovation and creativity. Artists use their unique life experiences to create art that can provide a new perspective on the universe and ourselves. For example, Huey-min Chuang's paintings and drawings about her personal journey, Cecile Chong's video about language learning, Poyen Wang's animation showing a lonely boy, Hsin-yi Liu's painting of a busy teddy bear, and CHATogether's graphic novel about parenthood all offer different ways of looking at the world and potentially inspire viewers to reflect on their own lives.

Leo Tolstoy's perspective on art as a means of communication and progress is particularly relevant to the importance of art in bridging the gap between different cultures and communities. In the Asian community, belief often takes precedence over scientific psychiatric treatment, leading to a need for alternative approaches to addressing mental health concerns. Hence, art can provide a means of expression and communication that transcends cultural and linguistic barriers.

Moreover, by emphasizing the imperfections and inconsistencies of life, art encourages a sense of empathy and compassion among individuals, promoting social and emotional healing. This aligns with Tolstoy's notion of art as a means of defining the highest good at which society aims, and agrees with Worringer’s recognition that every style of art represents the “maximum bestowal of happiness for the humanity that created it,” and his feeling that this should be the supreme dogma of all objective consideration of the history of art.

Exploring the dimension of artistic volition and bringing together artists, mental health professionals, and the public in a cross-disciplinary setting, NYC Art Bridge can help promote emotional wellness and facilitate frank discussion about important issues facing our community. By addressing themes such as bias against the AAPI community and the immigrant experience, the project can help raise awareness about pressing social and cultural issues while also providing a platform for artists to express themselves and showcase their work.

Now, art can serve as a means to explore deeper aspects of human existence and the world around us, including spiritual and philosophical dimensions. Hence, through artistic expression, artists can convey complex emotions and ideas that might be difficult to put into words, and thereby enrich our understanding of ourselves and the world we inhabit. Ultimately, the goal of NYC Art Bridge is to provoke discussion of the urgent social issues of the moment.

References:

Worringer W. Abstraction and Empathy: A Contribution to the Psychology of Style, International Universities Press, New York, 2014

Tolstoy, L. What is Art? Digireads.com Publishing, 2020

Mukařovský, J., Abstract Functions, in Harrison C and Wood P, Art Theory 1900 - 2000, Blackwell Publishing 2006

Schapiro, M., The Social Bases of Art, in Harrison C and Wood P, Art Theory 1900 - 2000, Blackwell Publishing 2006

 











From Sunflower 2014 of the 10th Year before and after

 From Sunflower 2014 of the 10th Year before and after

By Luchia Meihua Lee

Island Sunrise team


Taking a stand on contentious issues may result in a particular chamber of peoples whom play as a whole, by refusing to compromise the statement or action. In this people’s movement exhibition, As James Davison Hunter indicated that signals solidarity and support if we explore to a culture wars, we have observed the whole points of civil society, …is to provide mediating institutions to stand between the individual and the state, or the individual and the economy. and a value of the benefit to remeasure and volatile future, and leave a felling of empowered and make a difference. on the other hand, cultural and art influencers can offer their communities a place to decompress, it is a brake, might play a role of anti-inclusive values segment. [2] The people's movements explore the cultural, political, and economic challenges facing society and devise strategies to shape better tomorrow. It is might change the boundary to serve society and foresight, we can provide a window and spotlight on current challenge of efficiency into the world of volatility connotation.

In March 2014, young people led Taiwan’s Sunflower Movement which in time completely reversed the course of Taiwan’s foreign and domestic policy. On the 10th anniversary of the movement, we would point out that social and political change is won through the brave spirit and effort of the movement leaders and the people - not awarded as a lucky accident. This program will involve artists celebrating peoples’ political movements – largely youth-led – that took place around the world circa 2014. We select 5 movements: the Sunflower Movement, the Arab Spring, the Chilean Winter, the Ukrainian Euromaidan movement, and Hong Kong’s umbrella movement – all of approximately the same era as Taiwan’s Sunflower movement – to which artists will respond. 

First among them, of course, is Taiwan’s Sunflower Movement in which students and other youth occupied Taiwan’s legislative body in protest of the plan by ruling government (that of Ma Ying-Jeou) to strengthen trade ties with China. The Sunflower Movement was successful in blocking the proposed legislation, and led to many of its participants eventually entering formal political life and thus rejuvenating Taiwan’s political culture.  It’s tenth anniversary will be on March 18, 2024. 

Other movements to be celebrated will be Hong Kong’s Umbrella Movement, which took place between 26 September and 15 December 2014 – so 2024 will also mark the 10th anniversary of this movement.  Led by Hong Kong youth, this movement was sparked by China’s proposed changes to Hong Kong’s electoral system – changes that the movement unsuccessfully opposed and were later imposed unilaterally by the government in Beijing.  However, this movement was resurrected on its fifth anniversary in 2019 to protest the bill enabling extradition to China – and trial there – of residents of Hong Kong. Beijing eventually imposed this bill on Hong Kong, further eroding the special status of Hong Kong in violation of the 50-year special administrative status of Hong Kong negotiated by the United Kingdom and China in 1997. However, this exhibition will glorify the spirit of public self-sacrifice exemplified in Taiwan’s Sunflower Movement, and in evidence in each of these popular movements.

Some element of the Arab Spring will be included in this exhibition. While that movement took place in several Arab countries – with varying degrees of success – in the early 2010’s. The Arab Spring started in Tunisia, and then spread to Egypt, Libya, Yemen, Syria, and Bahrain. In Egypt, Libya, Yemen, and Tunisia, rulers were deposed. Protests took place across the Arab world, most particularly in Morocco, Iraq, Algeria, Lebanon, Jordan, Kuwait, Oman and Sudan. All these were movements by youth in opposition to authoritarianism and in pursuit of democracy as well as a brighter economic future, and so fit the theme of this exhibition. While 2024 will be the 12th or 13th anniversary of this movement (depending on which country one looks at), it deserves to be included in this exhibition because of its aims.  It is hoped to examine more carefully the Arab Spring as it took place in Tunisia (where it was successful).

Numerous political movements in South and Central America were youth-led protests. Perhaps one of the most notable was that in Chile in 2011 to 2013. Known as the Chilean Winter, it was a student-led protest against the poor for-profit educational system – especially the post-secondary educational system - extant in Chile at that time which tended to perpetuate Chilean class structure because the children of the very rich had adequate educational choices, but not the children of middle-class families. This system dated to the dictatorship of General Augusto Pinochet, who was not more benign than General Chiang Kai-Shek in Taiwan. In both Taiwan and Chile, the transition to democracy took place peacefully – without a revolution – while political movements such as those discussed herewith fine-tuned that democracy.

The youth movements in Ukraine were known as the Euromaidan or Pomvrancheva revolution. The movement is named after Maidan Nezalezhnosti (Independence Square) in Kiev, one of the first sites of demonstration on 18 February 2014; the protestors at one point also attempted to occupy the legislative branch. Unlike with the Sunflower Movement in Taiwan, armed police stymied this move, killing, wounding or arresting numerous protestors. The achieved aim of the Euromaidan movement was to topple President Yanukovych whom the protestors considered too close to Russia. Yanukovych had negotiated an agreement for Ukraine to join the EU, then declined to do so in favor of closer ties with Russia – an echo of the closer ties with China advocated by Ma Ying-Jeou in Taiwan.

Ultimately, the success of the Euromaidan revolution, which was supported by speakers of Ukrainian and opposed by Ukrainian speakers of Russian, emboldened Russia to seize the Crimean Peninsula, a Russian-speaking area of Ukraine. A variety of artists from the region will make and display art commenting on the Euromaidan revolution in Ukraine.

This exhibition thus celebrates youth-led popular movements of approximately 10 years vintage and simultaneously highlights both the similarities and differences between them. Social and political change is never straightforward and compartmentalized, let alone complete – which is why we have chosen a variety of such movements.

The participating artists in Taiwan Sunflower Movement, first is 

Tsung-Jung Liu 劉宗榮 , Sunflower Movement frontline artist, Liu involve the social movement with art work from Taiwan Dapo issue(大埔事件), In June 2010, Miaoli County Magistrate Liu Zhenghong deployed crane entered the rice fields and destroyed the rice husks that were about to be harvested shocked the country. The issue of land expropriation spread. The forced demolition incident in Da po triggered 20,000 people to take to the streets in Taipei to protest, and they occupied the Ministry of Interior for an all-night sit-in, demanding an apology and compensation, return of the land to its original owner, a thorough investigation of the abuses, and immediate amendment of the law. Many of Sunflower main protecters are also the key supporters.

from 2012 to 2014,  large mural , portraits was completed, symbolizing the determination of Ta Pu residents to protect their home. On July 2014, artist Liu Tsung-Jung started wall painting at the original site of demolition Cheung Pharmacy to create the "Four Evil Men" paintings. The paintings included portraits of Ma Ying-jeou, Wu Dunyi, Jiang Yihua, Liu Zhenghong, and many young people who caused the Da Pou Incident. Take the initiative to join. In following many social justices event, he participated and walking into the frontline to hold the strong will protect the justice of the society. in his studio, numerous archives are collected to show the historical records. The large painting ‘Illuminating Darkness“ he painted in 2014, is a spirit symbol of Sunflower, he use skillful painting other portraits such as Lee Deng Hui, in mingle with Jad mountain. Also the pioneer of Taiwan Independent leader Shi-Min, he catch the shape eye in this leaders. As an passionate in care about country, he not only with humble humanity personality with love from what he deep involved in christin believe.


Enbion Micah Aan洪延平, is a New York human rights activist photographer, he care all the people’s movement, from the photography he taken, about the animal right, environmental subject, to the education pursue, also

Island Sunrise Team島嶼天光團隊, Sunflower Movement frontline art team, although the portrait artist would like to be anonymous, while people known he has painted over 12 paintings during the occupying legislative Yuan, all these portraits can be any of people who participating the protect, and unknown the name. the group also made a documentary video to records the demonstration.

Hsin Yi Liu 劉欣怡, Artists who participated in the Sunflower Movement protests,  as she always soft middle tone color to paint two large abstract paintings to reveal the chaotic of Taiwan, China and the world situation. Chia H. Kuo (The social activist sculptor who made the portrait of Dr. Lai Ching The, who been elected to be the President in 2024. Consider the project which include two of the pioneer influence Taiwan’s democracy, as former President Lee Teng-Hui, been call the Father of Taiwan Democracy. Who ended the ariscratic of Chiang Family dynasty in Taiwan, and return the vote right to Taiwanese People. Two portrait of Shi Ming, also by Liu Tsung-Jung, which been very much represent Taiwan’s democratic transition.

In Ukrainian Euromaidan revolution

Oleksii Koval , an Ukrainian artist in exile, he is familiar enamel skill in making large size of the crafts, lithograph, and painting. Her work are details ornament which present a type of royal and metallic surface atmosphere which even two dimensional print or the silk fabric, in this time a large stripe fabric print in similar a queen or king’s wear rope, and a imperial motifs on the fabric. While also in some way compare to the current Ukraine-Russia War, will it showing the past of the classical splendor are gone with the wind, and two palm hold that pray the future unknown, and unpredictable. Consider an Ukranin artist in exile in US. 

Taiwanese American artist Shih-Pao Lin 林世寶 (Artists with themes of humanitarianism in the Ukraine-Russia war), who are walking to the Was Zone in person. In 2023, he started a drawing series of “One painting, one prayer”, he first paint the blue and yellow background on the paper, the start his drawings, the small painting only 8 by 10 size, and he start to do fund raising for the Ukraine artists.

In the exhibit, we can see a 5,000-kilometer road map that Shih Pao Lin traveled in Ukraine with Ukrainian NGOs members in two weeks. They pass by various towns when getting further and get closer to the the front line, along the way, many cemeteries, we can see the statue and soldiers with wings along the way, these soldiers who sacrificed their lives for the country. As long as we see the cemeteries, we are all asked to get out of the car to pay tribute to the soldiers. He said, I cannot remember in that town that tens of thousands of soldiers and civilians sacrificed too much.

To talk about the catastrophic of Chilean Winter, the revolution are not successful, the country is still under the dictatorship, for an female artist, María Verónica San Martín, a Chilean human rights artist, a multi-talent and very bravely choose to use her art work to present and to memorized the people who has scarified during the revolution. She use woodcut print, silk print making a fantastic  subject, she is also taking mixed media in reveal her beautiful country in a sublime beauty landscape, byt while cover in the suffering of the people. A performance she choose the stick to …

Arab Spring, to the country in the middle east, I might include artist from Yemen, or Tunisians , I choose Kevork Mourad, Armenian caravan artist whose family was exiled due to genocide), in all period human history, genocide has occurred in the prominent in 20 century, while the Turk and Amenia that killing million Armenians that might be almost forgotten, artists Kevork “four fact” video piece that follow his black and while fabric cutting and illustration style, that in a historical lyric sorrow phenomena, in a  sorrow exotic music lead to this whisper background animation open the preface, enter to a no people empty abandon splendor pathetic bundles to reveal, a death, ruin, slaughter exposure, a utterness view that in both staging, and factual grief stress. In the exhibit, sailing nowhere, a sail boat that carry a three panel wings with all disposing of the faces of the bodies blood stain.    

Many of artists unlike Hong Kong’s Umbrella Movement, artist Tracy Wong 黄國才, Hong Kong social activist artist in exile in Taiwan, who has been mentally, physically suffered in Hong Kong’s movements, although now he exile and living in Taiwan, while the shadow, are still make him tremble, and nightmare, not only direct walking to the street, he act, performed, documented, a studio that been neatly arranged and documented, all the performance large mask, toyed human, the cocktail can be transfer to be a visually beautiful sculpture. His under the yellow umbrella drawings, sketches and people that unknown, a studio that open to the people, and the people form this ideology protect. Helping people find common ground. 

A people’s movement often provide a spotlight on timely perils and exposures thus to help the potential clues about how the government to modify risk management to better serve the community people. The  movements, as a whole in common ground, in Hunter’s words “they are mediating, educating." by launch these movements as echo of society, people’s movements which engaging in hard conversations, in their society, country and with communities. People are continuing to fill a critical role in each century.


References:

1. https://www.civilmedia.tw/archives/20038

大埔強拆周年》歷史不能忘記 大埔事件公庫全紀錄 | 公民行動影音紀錄資料庫 (civilmedia.tw)

2. Culture Wars: The Struggle to Control The Family, Art, Education, Law, And Politics In America Paperback – October 14, 1992

3. Culture War 2.0, Museum, January/February 2024. American Alliance of Museums. P. 12

4. The Activist Legacy of Taiwan’s Sunflower Movement, Ming-sho Ho, AUGUST 02, 2018. ARTICLE Source: Getty

5. Bi-khim Hsiao, A letter to the public (蕭美琴立委草擬了一封英文公開信, 主要是要向國際友人說明這次學生運動的主要訴求以及馬政府的無理)蕭美琴 Bi-khim Hsiao , March 25, 2014  ·

https://www.facebook.com/100044353752888/posts/10152034392490687/



__________________________________________________________________________________

In this special project, we have Panelists: from us, whom all in some way, exile from their country and lives and works in US. They are:

Wei-Ting Chen, Sunflower Movement frontline activist陳為廷(當年運動參與者,现在DC)

Lin Jie, Sunflower Movement frontline activist林倢(當年運動參與者, 現在在National Democratic Institute)

Yu-Lun Shih, Sunflower Movement frontline activist施懿倫 (當年運動參與者, 現在芝加哥)

Kun-Yang Chang, Hong Kong political movements frontline activist張崑陽(香港政治運動領袖,現在流亡美國,在DC智庫上班)

Jenny Wang, Sunflower Movement in New York activist. Jenny Wang(太陽花台灣年輕人在紐約的行動)


 Island sunrise team

 Maria Veronica San Martin

 Kevork Mourad

 Island Sunrise team
Island Sunrise team

 Kacey Wong

 Tsung-Jung Liu

 Tsung-Jung Liu









Thursday, December 7, 2023

From People to the Land

From People to the Land: Art works from 15 Taiwanese Contemporary Artists

This exhibition presents 15 Taiwanese heritage artists who have been chosen as examples of how art addresses the preservation of multiple cultures, renewal of the environment, and honoring the new multi-faceted unity. In this context, art is a tool that supports constructive thought about culture and art history, the relationship between humans, land, and the myth of universal operations - notions that have been imminently transformed into a chaotic hymn. Potential political, economic, and cultural crises can be averted only by an emphasis on the diversity of life that promotes interactive relationships. This display posits that art is an area that can explore this meaningfully through recognized symbols that transcend culture and foster universal connections.

 

Participating Artists:


1.     Walis Labai

2.     Eleng Luluan

3.     Gao Yuan

4.     Chin-Chih Yang

5.     Nina Edwards

6.     Orange LI

7.     Che-Min Hsiao

8.     Huey-Min Chuang


9.     Ming-Jer Kuo

10.  Polin Huang

11.  LuLu Meng

12.  Jen-Pei Cheng

13.   Shih-Pao Lin

14.   Kelly Tsai & Ryan Hatley Smith

15.    Chi-Hui Chuang

 

Presented by:

El Taller Latino Americano and the Taiwanese American Arts Council

Co-Curators:

Luchia Meihua Lee, Executive Director, Taiwanese American Arts Council

j. maya luz, Director of Special Projects, El Taller Latino Americano















Wednesday, November 2, 2022

"Walking in the Cosmos: artist Interpreting Urban Reverence

[above: Peiwen Liao- Ali Mountain Song 阿里山之歌-"Walking in the Cosmos" opening
(excerpt from full performance)

Walking in the Cosmos: Artists Interpreting Urban Reverence

行走在宇宙中:藝術家詮釋都會崇敬 

展出日期:10月30日起 至 2022 12 18 日止

展覽場地:沃克奧斯博物館(Venue: Voelker Orth Museum

博物館開放時間:周二,周日 上午十點到下午五時以及預約

地址Address: 149-19 38th Avenue, Flushing, NY 11354

Curated by Luchia Meihua Lee 

Participating artists: 參展藝術家


  1. Steven Balogh 史蒂芬。巴洛
  2. Eun Young Choi (崔恩榮
  3. Chih-Hui Chuang (莊志輝)
  4. Kotaro Fukui (福井江太郎)
  5. Felipe Galindo 菲利普.加林多
  6. Sarah Haviland 莎拉.哈微蘭
  7. Diana Heise 戴安娜。赫斯
  8. Hsiao-Chu (Julia) Hsia (夏小筑)
  9. Chemin Hsiao (蕭喆旻)
  10. Hiroshi Jashiki
  11. Ming-Jer Kuo (郭明哲)
  12. Catherine Lan (藍巧茹)
  13. Rosalía Mowgli 羅莎利. 莫古力
  14. Hsuan-Yu Pan (潘宣羽)
  15. J. maya luz珍妮佛 瑪雅
  16. Marlene Tseng-Yu (虞曾富美)
  17. Sarah Walko莎拉.娃可
  18. Yeh Fang (葉方)

Musical Performance - Pei-Wen Liao (violin) piano: Yadi Liang (piano) 

10月30日:*2:30-2:45 pm夏小筑(Hsiao-Chu (Julia) Hsia 視覺藝術表演

*3:00-3:30 pm:音樂表演-小提琴:佩珳(Peiwen Liao鋼琴:Yadi Liang

台美文藝協會(Taiwanese American Arts CouncilVoelker Orth Museum (沃克奧斯博物館)合作舉辦行走在宇宙中:藝術家詮釋都會崇敬」(Walking in the Cosmos: Artists Interpreting Urban Reverence展覽,該展覽將在皇后區法拉盛的Murray Hill Voelker Orth 博物館向公眾開放。本次展覽共有18位跨族群藝術家以不同形式的創作品展出, 開幕式安排有夏小筑(Hsiao-Chu Julia Hsia)的互動行爲表演,及小提琴家廖佩珳的音樂表演,曲目以自然爲主題,表演曲目有:「鳥類的到來」、「雲雀升騰」、「阿里山之歌」、「維瓦爾第:夏天」等。 

在這個萬聖及感恩節期間,我們邀請您參觀到 Voelker Orth 博物館(維多利亞花園和鳥類保護區)來欣賞特殊精彩的主題藝術創作,如台美藝術家郭明哲取社區房屋地形印製醋酸膠片垂掛,造成交錯的超越地平綫的鳥瞰視覺景觀,韓國藝術家Eun Young Choi(崔恩榮)有感於自身兒子的德韓移民家庭與Volker Orth Museum 位處韓國社區的作品交碰產生,她以貼紙刻畫自然植物裝飾在博物館的圖書室玻璃上,台美藝術家蕭喆旻的五件畫作幽默表達了在世紀大浩劫的的孤寂經驗,匈牙利裔藝術家Steven Balogh 的蜂鳥玩芭蕾舞鞋畫作,住上州PeeksillSarah Haviland是富爾布萊特學者曾到台灣進行創作研究,她一直以鳥類概念創作各式雕塑,此次展出4件作品,有喜鵲橋及另兩件鳥作品,另外展覽有5部錄像作品播放,包含潘宣羽的台灣布袋戲偶悠游紐約短片等等。更多精彩作品分列在在這個迷你博物館的各個房間中。

都會部落聚集的現象涉及人類的生存和生物之間平衡的維持,我們的對話轉向重視人性,保護多元文化,更新環境,尊重新的多面向的統一。宇宙運行的神話最近被城市的遷移迅速扭曲,在田園環境中,大自然簡單的晝夜圖像的流逝使我們環境的豐富神話受到尊重。藝術創作者能夠居間調解並具象讓文化有了新的聯繫。

Urban Reverence Urban Tribes 的第二部分,不僅涉及特定的信仰或儀式,還延伸到人類與自然或環境之間的關係。而 Urban Reverence 則以土地和環境為主題,在生物、精神和文化上具有普遍的共鳴和影響。 策展人 Luchia Lee 說:「更廣泛地說,地球的健康和人類的生存需要我們的環境與各種生物之間的共存和維持平衡,以及我們社會中人際關係的改善。這個展覽對這種情況的緊迫性提出了多種藝術囘應」。

有関Voelker Orth 博物館:

1899 年,德國移民康拉德·沃克( Conrad Voelkner 在皇后區的 Murray Hill 買了一套房子。 他和他的妻子撫養了一個女兒特蕾莎,她嫁給了魯道夫·奧斯博士(Dr. Rudolph Orth)。康拉德·沃克去世後,這房子由特蕾莎、她的丈夫奧斯博士和他們的女兒伊麗莎白(1926-1995)居住。之後伊麗莎白離開了她的整個莊園,建立了 Voelker Orth 博物館(鳥類保護區和維多利亞花園)。 這座房子經過修復,於 2007 年成為紐約市地標,並於 2020 年被列入國家歷史遺址名錄,該花園獲得了長島苗圃和園藝師協會 2005 年的金獎。